![]() You don’t have to go full- Rob Scallon and break out every pedal you’ve ever owned, but a few simple pedals like EQ, compression, and distortion or overdrive can really enhance your starting tone. That’s why most guitarists start using pedals in the first place-they’re not happy with the sound coming out of their amp. Not only does it help you capture your signature sound, but it also helps recreate a more realistic starting point for the amp to work with. Instead of relying on whatever effects come bundled with your amp plug-in, bust out your pedalboard, and use your favorite effects to spice up your performance. Just because you’re using an amp sim doesn’t necessarily mean your whole signal chain needs to be digital. Generally, it’s best to use a neutral-sounding parametric EQ, like FabFilter Pro-Q 3 or soothe2. To solve this issue, place an EQ before the amp sim to roll-off any unwanted low end, tame any harshness, and remove any frequency resonances. Not only will it be difficult to isolate the specific frequencies using the tone controls, but the additional harmonics created from the amp can also cause problems that spread throughout the frequency spectrum. If your raw guitar track sounds muddy or harsh, it’s only going to be more complicated to correct this issue after the signal has been processed by the amp sim. Mistake #1: Only Processing the Signal AFTER the Amp Sim In this blog, we’ll break down some of the biggest mistakes people make when using guitar amp simulator plug-ins and share what you should do instead to capture a rich, powerful sound. However, it can sometimes be tricky to dial in a convincing tone or shape your sound to fit with the rest of your mix. The main reason I stopped doing it (1) it's hard to build a good UI to represent the state of your rig the Kemper has bright LEDs everywhere that represent state well (2) it's more vulnerable on stage, and (3) it's just fucking easier to plop down a Stage and be done (a lot easier to transport, to).With more and more musicians recording in home studios, amp sims have skyrocketed in popularity over the last few years. The main reason I did this is that (1) I love the sound of my PC modeler, Scuffham S-Gear, and (2) I wanted the ability to use my guitar to play synths, (3) I wanted ultimate, fully programmable control over what my foot switches and expression pedals did. This let me write a bunch of custom scripts to control my patch/effect switching, have my wah engage when my pedal moved, stuff like that. I hosted my modeler in Reaper, because it's fast, stable, and programmable. I'd consider something like an Audient EVO: small, bus-powered, low latency drivers. Given that you're cash strapped, that's not an option. I bought a RME Baby Face Pro, so I'd have rock solid driver stability and ultra low latency. This is already a big nest of cables and shit, with a bunch of exposed connections, which just makes the situation more fragile and vulnerable than the Kemper Stage. MIDI chord to interface (if the interface has MIDI IO, otherwise to a USB port on the computer) ![]() Interface power supply (unless you get a USB bus powered interface highly recommended) The main difference is that a Kemper Stage is built like a tank, with the computer, interface, power transformer, and footswitches all built into a single metal chassis with a C13 power plug. There's nothing about a live setting vs non-live setting that makes technology behave differently. I have a Kemper Stage (and Kemper Rack, Axe FX, Amplifire, and bunch of other modelers), and have used a PC-based rig live, too.
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